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DTSTART;TZID=America/New_York:20220516T180000
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SUMMARY:Awaking the Sleeping Beauty: Edward Burne-Jones and his Art
DESCRIPTION:When hosting in-person events\, Royal Oak must comply with current state and local laws regarding vaccine card requirement to gain admittance.  \n\n Sir Edward Coley Burne-Jones (1833-1898)\, the son of a humble Birmingham picture framer\, became perhaps the most exceptional and versatile figure of the English Aesthetic movement. He excelled as a painter\, draughtsman\, designer of furniture\, stained glass\, and tapestry\, and succeeded in spreading his reputation well beyond England to the Continent and America. Nowhere is this more evident than in Burne-Jones’s Briar Rose paintings\, an extraordinary series of works\, which occupied the artist for more than half his lifetime. In 1864\, Burne-Jones was commissioned to design a set of ceramic tiles for artist Myles Birket Foster’s house\, The Hill\, in Witley\, Surrey. The theme was to be the Briar Rose\, the “Sleeping Beauty” story derived from Alfred Lord Tennyson’s 1842 poem\, The Day-dream\, which evoked England’s medieval past. \n“She sleeps\, nor dreams\, but ever dwells\,” wrote Tennyson\, “a perfect form in perfect rest.” These lines perfectly paralleled the Aesthetic aims of Burne-Jones\, and of his friend William Morris\, to create “Art for art’s sake”—an ideal object\, with no greater purpose than its own beauty\, displayed within a setting distinctly suited to itself. These extraordinary\, vibrant tiles\, now in the Victoria and Albert Museum\, evidently pleased Burne-Jones\, as he returned to the theme in 1869\, with three small-format Briar Rose paintings. Four years later\, Burne-Jones revisited the subject yet again with a larger scale series of paintings for the saloon at Buscot Park\, Faringdon. \nJoin Country Life and Vanity Fair contributor Patrick Monahan to discover the Sleeping Beauties of one of Victorian England’s artistic geniuses—paintings which echo a distant\, enchanted past. \nPatrick Monahan\nPatrick Monahan is a writer and independent art advisor\, specializing in British paintings\, drawings\, and sculpture from the eighteenth century to the present. A native New Yorker\, he is consulted by collectors and museums on both sides of the Atlantic\, including the Museo de Arte de Ponce\, Puerto Rico.\nHis written work appears in Country Life and Vanity Fair\, as well as in the exhibition catalogue “Flaming June: the making of an icon\,” Leighton House\, London\, 2016. He holds an Mphil from the University of Cambridge as well as a BA from the University of Chicago\, both in art history. He lives and works in New York City\, with regular visits to London. \nInstagram: @thepatrickmonahan \n\nLIVE\nWednesday May 16\, | 6:00 p.m. (ET)\nThe General Society Library\, NYC\n$35 members; $40 non-members and guests \n\nRENT\nFrom Thursday\, May 19 to Monday\, May 30 \nRent the recorded lecture to watch at your leisure\n$20 members; $25 non-members and guests
URL:https://www.royal-oak.org/event/sleeping-beauty/
LOCATION:The General Society Library\, 20 W. 44th Street\, New York City\, 10036\, United States
CATEGORIES:In-Person Lecture
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ORGANIZER;CN="Royal Oak":MAILTO:zoom@royal-oak.org
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DTSTART;TZID=America/New_York:20220517T170000
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SUMMARY:Inspiring Walt Disney: The Animation of French Decorative Arts
DESCRIPTION:Pink castles\, talking sofas\, and a prince transformed into a teapot: what sounds like fantasies from the pioneering animation of the Walt Disney Animation Studios were in fact the realities from the colorful salons of Rococo Paris. Join Royal Oak and Friends of the Louvre as Wolf Burchard\, Associate Curator in the European Sculpture and Decorative Arts Department at The Metropolitan Museum of Art\, will give a virtual tour of the museum’s first-ever exhibition this past Spring that explored the work of Walt Disney and the hand-drawn animation of the Walt Disney Animation Studios. If you missed it at The Metropolitan Museum of Art\, the show\, Inspiring Walt Disney: The Animation of French Decorative Arts\, is on view at the Wallace Collection\, London from April 6\, 2022 – October 16\, 2022. \nThe exhibition examines Disney’s personal fascination with European art and French visual culture. Dr.Burchard will explain the use of French art and architectural motifs in Disney’s films\, and draw parallels between the studios’ magical creations and their artistic models. Focusing on three French fairytales retold by Disney in animation (Cinderella\, 1950; Sleeping Beauty\, 1959; and Beauty and the Beast\, 1991) Burchard will discuss tapestries\, furniture\, Boulle clocks and Sèvres porcelain and compare them to production artworks and designs from the collection of the Walt Disney Archives and Walt Disney Family Museum. \n\nLIVE\nTuesday\, May 17 | 5:00 p.m. ET\nOnline via Zoom Webinar\n$30 ROF and American Friends of the Louvre members and $40 non-members \n\nRENT\nFrom Wednesday\, May 18 to Wednesday\, May 25 \nRent the recorded lecture to watch at your leisure\n$30 ROF and American Friends of the Louvre members and $40 non-members
URL:https://www.royal-oak.org/event/walt-disney/
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ORGANIZER;CN="Royal Oak":MAILTO:zoom@royal-oak.org
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